
Judah was one of those people that I almost passed up, even though the minute I saw him I had to have his portrait. But like anything in life, you never know until you try…
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Judah was one of those people that I almost passed up, even though the minute I saw him I had to have his portrait. But like anything in life, you never know until you try…
More CONTACT after the break… Continue reading
It started with a email from Sarah asking if I wanted to partake in a “mini photo expedition,” with the goal of photographing the 9/11 Tribute in Lights. Of course I was in, who did she take me for? Getting excited, I reminded her about my attempt last year, and cautioned against trying to photograph the lights with the Brooklyn Bridge in the foreground by crossing ON the Brooklyn Bridge…that wasn’t my smartest gameplan ever.
Her response was perfect “I don’t want the shot everyone gets. I want something different.”
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Niagara Falls, eh? Why not? That’s the question we asked ourselves, and when we couldn’t come up with a reason against it, we rounded up our passports and headed on a one-day detour.
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In honor of the little one going back to school, and consequently leaving school three days later to come back to us, I present to you the Compendium of Kanooks, the Annals of Ansley, or more practically…the Facebook Prof-Pick Pool. All kidding aside, I’ve realized that I have done a bad job of posting the photos of my recent trips back to California, but a GREAT job of hoarding them all to myself. I tend to atone for my sharing sins starting with this post, a showcase of a sister who’s learned to cope with my incessant demands of “stand still” or “lean into the light.” Kunu, this one’s for you.
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I’ve been called “The most domesticated 23 year old on the planet,” and I’m convinced that a recent berry picking outing contributed heavily to that notion. Nonetheless, it was a good excuse to jet out of the city for a day, and I knew a few baked goods would be in it for me if I tagged along.
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Should Old Acquaintance be forgot, and never thought upon; The flames of Love extinguished, and fully past and gone. New Years Eve has come and gone, and with it the quintessential New Years Eve ballad. While I must admit, it does seem dubious that lyrics refer to the “flames” generated by endless sparklers sported by skimpy women transporting over sized bottles of Veuve Clicquot, it makes a good story right? Our first New Years in NYC, and our last New Years at LAVO, I think it’s safe to say we rang in 2013 in style (especially Amir, I mean look at that black watch)
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Twas the night before Christmas and all through the house…well, you know how that old crap goes. Contrary to what the jingle might suggest, on this Christ’s un-birthday we creatures WERE stirring, As merry models stepped out from the strobes to stand behind the camera, with digital and analog blending worse than week-old eggnog, a glorious catalog of Christmas cavorting came to life. Yet now that Christmas time has come and gone, a question still lingers, where you naughty or were you nice? The jury is out on this crew, but one thing is for certain, we certainly gave the Thanksgiving Post a run for its money. HAPPY BIRTHDAY JESUS!
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I’ve talked about my love for the Konica Hexar before, and I am consistently amazed by the output of this unassuming camera. Despite its 90’s era design, unintelligible operating features, and limiting 1/250th top shutter speed, the Hexar has gained a cult-like following among street photographers as a silent but deadly shooter. Armed with a reportedly “identical” knockoff of the beautiful Leica 35 Summicron lens, the Hexar truly earns its chops when shot in “silent mode,” an inaudible method of operation made possible by mashing odd buttons in sync while turning the thing on. Why on earth the designers hid this awesome function beneath a Mortal Kombat like string of commands, only god knows, but once properly engaged the Hexar is scary silent. Like I’m not even sure that I hit the shutter silent. While this operation is EPIC on the street, it becomes much less EPIC when the shutter starts to stick. Imagine my surprise after a days worth of shooting, adoring and admiring the utter stealth of my “silent mode” Hexar, only to find that the silence had occurred because my faulty shutter failed to fire. Apparently, the lofty Hexar is plagued by a notoriously week electrical connection between the shutter button and the body, a defect responsible for erratic focusing and…you guessed it, miss fires! At first it was an inconvenience, but the more I had the Hexar by my side, the more I noticed the problem worsening. My growing frustration led me to begin leaving the Hexar at home, afraid that if I brought it along I would end up missing something important. But one day I stumbled across an online forum that described a relatively easy fix, but still a fix that involved disassembling the body and exposing its guts to the elements. What choice did I have? Do nothing and be stuck with a faulty camera, do something and potentially ruin a cult icon. Did I have the technology, or steady hands to perform a procedure like that? Read on to find more.
I present to you the second installment of a Thanksgiving double header, and I am so crazy STOKED on these portraits. After shooting these, I can totally see why people fall in love with studio shoots and controlled lighting, and even though we had to improvise with janky hotel light fixtures these might be some of my all time favorite photos. There must be something about Thanksgiving (I loved I took the photos from last thanksgiving as well), that or it must be something about my INSANELY EPIC FAMILY.
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