Merry Xpan

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Saint Nick done good this year. In addition to everything on the wish list a minty Xpan appeared under the tree. OK, appeared might belittle the gift buying process. Regardless, I am the proud new owner of Hasselblad’s panorama picture making machine. To celebrate I thought I’d post images made with a different version of the same camera from New York (along with the SUPER wide 30mm—thank you Sarah Elliott!) I loved it back then, lusted for it ever since, and can’t wait to put this one through its paces.

More Xpan after the break.
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CONTACT | Ronny and Benny

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I’d seen these two around the park before and always surrounded by a crowd (deservedly so, that’s a freaking cockatoo riding a bicycle). But I’m more of a one-on-one guy, so when I saw Ronny in a rare moment of peace, I decided to change that.

More Ronny (and if you stick around, my new favorite portrait) after the break. Continue reading

Contact | Ian

contact2Ian“Almost passed up.” “Happen by chance.” I’ve started a few CONTACTs with these caveats, and this is no exception. I met Ian on my lunch break while he was waiting outside my building for the Bolt Bus. His hat drew me in, but he was going the wrong way. Then he stopped at the corner and turned back. I made my move. When I raised the camera to my face, I knew he’d done this kind of thing before. Turns out Ian is the man behind Boy Gone Blog, and thus no stranger to posing.

More CONTACT after the break. Continue reading

Contact | Meris

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The instant I saw Meris with her blue blockers and furs, I knew I had to photograph her. I was on my morning commute, and it looked as if she was too, but I took the chance and asked her for a portrait. She couldn’t have been nicer, and didn’t mind my direction when I asked her to move infront of the brick backdrop. This was my first “field” portrait with the Contax 645, and in my excitement I forgot to recognize that the shutter was set to flash sync mode. I realized the mistake only after I had walked away, hoped that the frames weren’t overblow, and smiled so BIG when I saw the final result.

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Contact | Andre

contact2AndreAndre was one of those portraits that happen by chance. I was at the end of a long day shooting and had decided to take the subway home and rest my dogs. Thinking about anything but photography, I arrived at my station and there was this guy, just posted up looking like a badass. I walked up and told him so, then politely asked for his portrait. He agreed, but mentioned he was waiting for his girl so please make it quick. Needless to say, dude knows how to make an impression.

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Contact | Judah

contact2Judah ShinesJudah was one of those people that I almost passed up, even though the minute I saw him I had to have his portrait. But like anything in life, you never know until you try…

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Contact | Richard

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Richard was one of the first subjects that I photographed and contacted, after the fact, to share the result of a street portrait. Being my first foray into that whole experience, I was a bit weird while taking the photo, he was a bit weird for taking up half the sidewalk, but his response to my email was the weirdest of  all

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Contact | Ronne

contact2RonnieWhen I take someone’s photograph, I make a point to stop and chat with them. This wasn’t always the case. I started very much in the “run and gun” mindset, steal the photo with as little interaction as possible. But I realized that if I took the time to ask permission and introduce myself , I could get the exact photo I wanted while learning a little about the person in it. Whenever possible, I take down the subjects’ contact information so that I can share the results  with them. Though it may take days, weeks or even months, I love sending out images and waiting for a response. Most times it’s radio silence, I’m not sure if people don’t know how to respond or if they simply hate the photo, but every once and a while somebody writes back. CONTACT is a new segment on the blog dedicated to those rare responses…

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Hexar Hazzard

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I’ve talked about my love for the Konica Hexar before, and I am consistently amazed by the output of this unassuming camera. Despite its 90’s era design, unintelligible operating features, and limiting 1/250th top shutter speed, the Hexar has gained a cult-like following among street photographers as a silent but deadly shooter. Armed with a reportedly “identical” knockoff of the beautiful Leica 35 Summicron lens, the Hexar truly earns its chops when shot in “silent mode,” an inaudible method of operation made possible by mashing odd buttons in sync while turning the thing on. Why on earth the designers hid this awesome function beneath a Mortal Kombat like string of commands, only god knows, but once properly engaged the Hexar is scary silent. Like I’m not even sure that I hit the shutter silent. While this operation is EPIC on the street, it becomes much less EPIC when the shutter starts to stick. Imagine my surprise after a days worth of shooting, adoring and admiring the utter stealth of my “silent mode”  Hexar, only to find that the silence had occurred because my faulty shutter failed to fire. Apparently, the lofty Hexar is plagued by a notoriously week electrical connection between the shutter button and the body, a defect responsible for erratic focusing and…you guessed it, miss fires! At first it was an inconvenience, but the more I had the Hexar by my side, the more I noticed the problem worsening. My growing frustration led me to begin leaving the Hexar at home, afraid that if I brought it along I would end up missing something important. But one day I stumbled across an online forum that described a relatively easy fix, but still a fix that involved disassembling the body and exposing its guts to the elements. What choice did I have? Do nothing and be stuck with a faulty camera, do something and potentially ruin a cult icon. Did I have the technology, or steady hands to perform a procedure like that? Read on to find more.

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